Tall Heights

  • Fête Music Hall 103 Dike Street Providence, RI, 02909 United States

Fête & The Bowery Presents

Tall Heights

with The Western Den

Wednesday, October 12th

Fête Lounge
Doors: 7pm
Tickets: ADV $12 • DOS $15
All Ages



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Tall Heights

(facebook)

Getting there is half the fun, as the old saying goes, but the journey is really the whole point for Boston progressive-folk duo Tall Heights. Singer/guitarist Tim Harrington and singer/cellist Paul Wright know where they’ve been, and where they want to go. As for the route, well, “we’re just mapping it out as we take it, day by day,” says Harrington.

They’ve reached their biggest junction so far — Neptune, due August 19, is Tall Heights’ first album for Sony Music Masterworks, and the latest step in the ongoing evolution of their sound and style.

Harrington and Wright formed Tall Heights in 2010, keeping their songs stripped down to their essential elements, in part, to make it simpler to perform on the streets of Boston.

Neptune is a far lusher construct: along with pristine and emotive vocal harmonies, there’s subtly chugging electric guitar and a spare descending bassline on “Iron in the Fire,” ethereal synthesizers and a spacious drum part on “Spirit Cold,” a brittle splash of percussion to open “Backwards and Forwards” and feedback created by two cellphones on “Cross My Mind.”

“It was helpful and I think comforting to define ourselves as two vocalists, guitar and cello,” Wright says. “There was a beauty and a simplicity, and stepping outside of that box is pretty scary, because you’re forced to redefine yourself and do some sonic soul-searching. I think this record reflects the results of that scary step.”

The band’s broadening sound came from the musicians’ conscious effort to push themselves, and each other, to create in new ways. By relying on a few core elements at the start, the duo learned to make the most of their minimalist set-up. “It taught us to be lean and mean and effective with just two voices and two instruments,” Harrington says. “It made us consider vocal tone and the way voices can mesh and interact.”

As those lessons took root, the pair essentially gave themselves permission to push their musical boundaries outward over three separate recording sessions at Color Study studio in tiny Goshen, Vermont, that yielded songs for their 2015 EP Holding On, Holding Out, and for Neptune. Not only did Harrington and Wright expand their sonic palette throughout the process, they also altered their approach to writing. The musicians tend to develop ideas separately, before one brings a new song to the other for further development. It’s a reflection of their early days sharing musical ideas, when Wright was living overseas and Harrington was finishing up college.

“We would send each other terrible sound-recorder voice memo files and we’d write these nice emails to each other about each other’s songs, so creating concepts independently is something we’ve always done,” says Wright, who has been friends with Harrington since they were kids growing up in the central Massachusetts town of Sturbridge.

They changed the formula on Neptune. Four songs on the album — “River Wider,” “Infrared,” “Cross My Mind” and “Growing” — are the result of one musician looping a simple instrumental part and letting the other write lyrics for it. With the last recording session looming, the duo worked faster than usual on those songs, particularly the somber, atmospheric “Cross My Mind.” “We were under the gun, he was downstairs making one thing, I was upstairs making another thing, we put them together and then we workshopped it in the car on the drive up to the studio,” says Harrington, whose Boston apartment is literally upstairs from Wright’s.

Their ever-closer collaboration, and the time they gave themselves in the studio to develop it, is indicative of the band’s developing approach to making music. “I can hear the evolution happening,” Harrington says. “I feel like we’re walking across a bridge from one place to another, and maybe I’ll always feel that way, but I’m really happy with how we’re moving.”





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The Western Den

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Formed in February 2013, and driven by a shared passion to create music with purpose, The Western Den is the collaborative work of Deni Hlavinka and Chris West, who together, blend compelling lush harmonies with ambient textures to produce a sound all their own. They released their debut EP, ‘Battle Hymns’, in May 2013 and premiered themselves to the public, opening for Melissa Ferrick on the northeastern leg of her national tour, in the summer of the same year. They have since shared the stage with artists such as Tall Heights, Saintseneca, Lucy Dacus, Mark Erelli, Paula Cole, and the Boston Pops.

Their newest EP, 'All The Birds' (released March 23rd, 2015), is available now for purchase and streaming on Bandcamp, and all other music distribution platforms.

"People under the spell of the Western Den often watch them with their heads tilted upwards, their mouths slightly open, pulsing subconsciously in time to the music. It’s like observing someone having a very strange dream.” (Zoe Atlas, Sound of Boston: Local Spotlight)





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